摘要
日本建筑师内藤广关注于文化中“不易于传播”的层面,崇尚那种凝聚了时间而又伸手可及的空间效果,并认为其具有难以流传的气质。而他的建筑作品大都于一个朴素的外观之中蕴含着内敛的深沉,其对空间的体验性的关注要远远重于对外部形体的描述。而这些朴素的建筑形体又以谦逊的姿态与环境很好地结合在了一起,体现了内藤广的与自然相亲和的建筑观。
Naito Hiroshi, a Japanese architect, pay more attention to the level of "not being easy to transmit" in culture, advocates the reachable spatial effect mixed with time, and regards it to have the characteristics that can not come down. While in his works the interior beauty is cherished in the plain appearance, he concerns the spatial experience more than the description of exterior forms and structure. These simple structures in modest gesture are well united with the surroundings, which represents his architect view of harmony with nature.
出处
《建筑师》
2006年第4期20-23,共4页
The Architect
关键词
反前卫
不易于传播
内敛
木构造
结合自然
anti-avant guard, not being easy to transmit,interior beauty, wood structure, unified with nature