“有”与“无”——庄子美学思想的辩证法

"Being" and "Nonbeing"-the Dialectic Aesthetic Thoughts of Zhuangzi

庄子对“有情有信,无为无形”之“大美”——“道”的倡导,为艺术创作与审美提供了理论借鉴;庄子所描绘的“无声胜有声”的审美境界,恰恰符合了艺术审美特征;庄子总结的音乐艺术审美从“有声”而入“无声”、从“实境”而入“虚境”的渐进过程,提示了艺术审美的普遍规律,形成了独特的“有无相生”的审美理论。庄子关于“有”与“无”的辩证论述,昭示了其“有无相生”的审美辩证法思想,对中国艺术审美影响久远。

Zhuangzi＇s advocacy of Dao provides useful ideas for the artistic production and aesthetics. And the aesthetic taste in his description ＂no sound is better than sound＂, just coincides with the characteristics of artistic aesthetics. His summary of music aesthetics from ＂sound＂ to ＂no sound＂, from ＂real world＂ to ＂fictitious world＂ revads the common rules of artistic aesthetics and made the aesthetic theory of ＂being and nonbeing,mutually growth＂. The dialectic discussion of ＂being＂ and ＂norlheing＂ displays the his idea of aesthetic dialectic and has profound influence on China＇ s aesthetics.