摘要
陈衍与郑孝胥都是“同光体”诗歌的代表人物,又都是其中闽派的领袖,他们曾长期互相唱和论诗,主张“不墨守盛唐”,取径多元,追求个性,诗风清苍幽峭。但他们各自“志”的差异导致所“言”“诗”的不同:陈清刚淡泊,郑“惘惘不甘“;陈苍老中和,郑喜唱高调。而这种异同的背后,隐含着文学与道德等深层次的动因。
Chen Yan and Zheng Xiaoxu are the representatives of the Tongguang Style Poems, leading the Tongguang School of Fujian Area. They have a lot in common in the views on poems and have long responded to each other, growing into a general trend. But then they have great differences as well. The different ideals lead to their differences of creation and comment on poems. Their views on poems can trace a history of differences-similarities-differences.
出处
《福建金融管理干部学院学报》
2006年第4期58-64,共7页
Journal of Fujian Institute of Financial Administrators
关键词
陈衍
郑孝胥
治诗
同光体
Chen Yan
Zheng XiaoXu
their views on poems
similarities and differences