异位的书法家:张瑞图的现代性解读

A Heretical Calligrapher:Modern Explanation to Zhang Rui-tu

我们从书法史上对张瑞图的基本判断出发,站在当代的文化背景上,对张瑞图重新做一个判断。因为我们认为在政治上的道德评判跟艺术上的评判之间并没有必然的联系。张瑞图的最大意义在于他树立起一种反叛性的旗帜,对古典书法产生了一种异位,在当代的语境里,张瑞图书法代表一种异位的形式和思维,这种反叛性的异位,表明一种新的文化态度。张瑞图反帖学尽管不是那么纯粹,至少在当下是可以作为一种旗帜性要求,他的风格样式隐含着儒家的心性、佛家的超脱,他在书法上形式的成就大于文化内容的表达。现代性解读是要矫正中国书法史上历来以一种非艺术本位的书法批评方法论,尽量按其艺术文本本来价值来理解判断,摆脱与时俱来的中国文化感情色彩和理论思维。

There are no positive connection between political judgment and artistic appraise. Zhang Rui- tu had established a revolt flag against classic calligraphy. In contemporary text, Zhang represents a heretical form and shows a new cultural attitude. His style and pattern included Confucian mind and Buddhist unconvention. The formal achievement of Zhang＇s calligraphy exceeded its cultural content. In multiple dimensions of calligraphic art, to research three important figures of Chinese calligraphic history： Zhang Rui-tu ,Buddha Hong Yi and Cai Xiang find the transform and source of calligraphic line, and provide a historical background for innovation of contemporary calligraphic art in Min-nan.