摘要
在香港商业电影的主流之外,陈果执著地关注着社会下层,其影片呈现出独特的写实风格。文章以陈果自编自导的6部非主流电影为研究对象,通过陈果电影关注下层社会的独特视角、不刻意编织故事的构架方式及直面现实的写实态度来分析其艺术特色。
In the discourse of the prevailing commercial culture, the box office receipt has become the major focus of the mainstream movies of Hong Kong. Outside of the mainstream, however, Fruit Cheng films demonstrates the landscape of Hong Kong under the mainstream and describes the life of "subordinate" in magnificent times context. The author chooses six movies made by Fruit Chen to analyze the features of his works.
出处
《郑州航空工业管理学院学报(社会科学版)》
2006年第4期28-30,共3页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词
陈果
电影艺术特色
写实
社会下层
Fruit Chen
movie artistic feature
practicality
subordinate of society