元代诗人张弘范的诗风与创作心态

On the Poetic Style and Psychology of Creation of Zhang Hongfan in Yuan Dynasty

张弘范是宋末元初政治上颇受争议的人物。其《淮阳集》中的诗歌,既注重个人价值的实现,追求功名,体现为慷慨诗风,又在诗歌内容、体裁、手法上类于江湖诗派,具有江湖苦寒诗风。如果从文化心态角度分析,其慷慨诗风源自其乱世建功、兼济天下的儒家入世心态,江湖诗风则源自对南方文化的推崇心理。

Zhang Hongfan was a controversial figure politically from late years of Song Dynasty to early years of Yuan Dynasty. There were two styles in his Huaiyangji. First is lofty. The other is bleak. The poems that focus on the realization of individual value and pursuit of honour are representatives of the lofty style, while the contents, subject and writing techniques of the poems resemble that of the Jianghu School and contain bleak style. From the aspect of cultural psychology, the lofty style is derived from the Confucianism of getting involved in social affairs, including accomplishing achievements and saving people in troubled times. On the other hand, the Jianghu style is derived from the admiration to the culture of south.