摘要
依据接受美学的观点,艺术批评本身就是一种创作和再生产,文本的未定点和意义空白需要欣赏者以丰富的想象去衔接和补充,进而达到欣赏者和艺术品、欣赏者和作者视域的融和。欣赏者不仅是鉴赏家、批评家,而且是作家,艺术欣赏中的多维性是必然存在的。
According to the theory of "response aesthetics", the art criticism itself is a process of creation and reproduction. The unidentification of text and the blank of meaning need the appreciators to link up and complement by their rich imagination. Thus there can be achieved a fusion of appreciators and artistic works, the points of view of appreciators and authors. The appreciators are not only connoisseurs and critics, but also writers. The multidimention in appreciation of art exists inevitably.
出处
《廊坊师范学院学报》
2006年第3期34-36,共3页
Journal of Langfang Teachers College
关键词
接受美学
艺术欣赏
欣赏者
文本
Response Aesthetics
appreciation of art
appreciator
text