摘要
经过部分批评家、艺术家．尤其是部分学者的阐释．一个干干净净的“当代”被覆盖了厚厚的尘埃，一个本来明明白白以日常生活体现出来的“当代性”被加上了过分的玄学包装和语词网络之后．就这样被遮盖而看不见了。
Even if we can list several features of ＂Modemity ＂to show how different today＇s ＂Contemporariness＂from past＇s Modernity＂, after 10 or 50 years how can we use those vocabulary about time？ Just as we use ＂Post-Modern＂ to distinguish ＂Modern＂, can we use ＂Post-Contemporary ＂to replace ＂Contemporary ＂？ New vocabulary will continue to emerge, but it only helps to express problems and if apotheosizing the new vocabulary. we will enter into the fog of words. What important is what＇s the detailed features and representation of today＇s art instead of ＂what is modernity＂, Critical experience tells us, it is the research to art phenomenon in different historica period that makes us to know the changes of ort, to know the history of art.
出处
《艺术当代》
2006年第5期18-20,共3页
Art China
