摘要
意境是中国古代的美学范畴,它包含情景交融、虚实相生两大部分内容。意境的虚实相生美学理论有其演化脉络。它的思想根源在于中国古代哲学关于形而下界与形而上界的依存运动变化的辩证思考。它的贡献在于提出了文学艺术的超越性要求,概括出审美活动由暗示性诱发到创造性想象的飞跃,引导人们对规律的认识与掌握。
Image is a sphere of aesthetics in ancient China. It includes two major parts: combination of emotion and scenery and coexistence of virtuality and reality. The aesthetic theory of the coexistence of virtuality and reality about image has its own evolutionary theme. It arises from the dialectical thoughts about the interdependence and development of metaphysics and empiricism of philosophy in ancient China. Its contribution lies in the proposal of the surpassing requirements of literature and arts and it summarizes the transformation of aesthetics from implicit inspiration to creative imagination, guiding people's realization and mastery of rules.
出处
《泉州师范学院学报》
2006年第1期104-109,共6页
Journal of Quanzhou Normal University
关键词
意境
虚实相生
演化形成
思想根源
价值
image
coexistence of virtuality and reality
evolutionary forming
ideological resources
value