生存的“荒诞”与边缘的“失语”——在贾樟柯的《世界》里游走

"Fantasy" of Existence and "Misword" on the Border——Walking in The World by Jia Zhang-ke

贾樟柯的电影《世界》巧妙选择“世界公园”这样一个有着多重隐喻意味的人造景观作为叙事场所,客观真实地描述了“北漂一族”这一城市边缘人群精神世界迷失的历程。“世界”内外空间场所的反复构建直指了现代人类生存的荒诞性。对电影空间场景的精心营造,对小人物的充分关注,对人生真实性的深刻质疑,构成贾樟柯作品的重要特质,使得贾氏电影具有一种无以伦比的真诚和力量。

Jia Zhang-ke＇ s movie The World selected cleverly artificial scene ＂World Park＂, which had muhiple metaphor as depicting scene has described lost experience in spiritual world of ＂the family of northern wandering＂,a group on the border of tity. Repeated construction of inside and outside space of the world demonstrated directly the fantasy of modern people existence. Movie scene constructed elaborately, full attention to nobodies and deep query to life reality have constituted Jia work＇s important specific and made Jia＇s movies had incomparable truth and power.