小说漫漫征程——从接受美学角度考察小说的影视化接受

The Endless Journey of Novels:A Research on the Receiving of Movie Style of Novels from the Acceptance of an Aesthetics Angle

大众文化的出现不仅标志着人类社会信息渠道的拓宽,也意味着小说基本存在模式和接受模式的更新。小说获得了一种崭新的呈现形态——影视文本。现代生活对快节奏、高效率的诉求,使得人们越发地青睐快餐文化、大众消费。相较之下,传统小说读者群的潜在性流失就成为了小说在现代社会中不得不倍加思量的问题。与此同时,接受者多重身份的交叉,还可能招致一个严重的后果——期待视野的交互影响。因而,影视文本的大量制作与影视化接受方式的日益扩张在对传统小说形成挑战之余,也对接受美学产生着富有现代意味的影响。

The appearance of mass-culture does not only indicate the broadness of information in human society,but also illustrates that both the existence and acceptance styles of novels have changed and movie text became a brand-new form of novels. Modem life requires rapid rhythm and high efficiency, thus people become more and more interested in snack-culture and mass-consumption. Compared with before, the potential reduction of traditional novel readers has been an intractable question in modem society. At the same time, the crossing of accepters＇ identity might beget a serious problem-the mutual influence of anticipating horizon. Therefore, the abundant production of movie texts and the dilation of movie acceptance style have become a challenge to traditional novels. Meanwhile, it has had a great modem influence on acceptance aesthetics.