《聊斋志异》涉仙题材与蒲松龄创作心态浅探

A New Analysis of Celestial Beings and Taoists Subject in Strange Stories from a Lonely Studio

蒲松龄在《聊斋志异》中描绘了三个色彩斑斓的世界,即冥界、人界和仙界,其中以神仙、道士为主角的仙道题材在作品中占有相当的比重。作者以神仙世界作参照,借仙人的超凡脱俗、仙术的神奇怪诞、仙境的自由美好来劝善惩恶、警世砭俗,以寄寓作者愤世、劝世、救世的创作目的。

Pu Songling described three rich and colorful worlds in Strange Stories from a Lonely Studio, namely the nether world, the world of human beings and the paradise as protagonist, the immortal and Taoist priest taking advantage of proportion in the work. Makes the reference by the deity world, the immortal unusual refined, the magic arts mysterious weird and the happy freedom fairyland. Pu Songling＇s psychology of writing encourages good behavior to punish the wicked detest the world and its ways help the needy and relieve the distressed.