摘要
“章法”所探讨的,是篇章内容的逻辑结构。由于这种逻辑结构,乃对应于自然由“阴阳二元对待”为基础而形成细致、复杂、多变的逻辑系统,足以反映出宇宙创生、含容万物在时空历程上那种细致、复杂与多变之层次逻辑;并且又由于此基础之“阴阳二元”,往往是“阴中有阳”、“阳中有阴”的;所以就使得对应于自然规律的各种章法,往往形成各种包孕式之逻辑结构,造成层次、映衬、互济之美感。文章即锁定这种结构,探讨其哲学义涵与主要类型,而以最常见之“因果”章法为考察对象,举诗文为例,略作说明,以见这种包孕式结构之奥妙。
The organization of writing is the way to present the logic structure of a literary work. Such a structure corresponds to the "binary confrontation" between masculine (Yang) and feminine (Yin) attributes of the universe that contributes to a detailed, complicated, and varied logic system. It also reflects the process of creation and gestation of all things on earth. Based on the binary relation, all things bear Yin and embrace Yang. Accordingly, the organization of writing, when refers to natural rules, will form a conceiving logic structure that brings out a sense of beauty characterized by gradation, reflection and complement. This article explores the philosophical connotation and the primary types of conceiving structure in literary works. The author also demonstrates the subtleness of conceiving structure by exemplifying the organization of writing under the cause-and-effect category in classical poetry.
出处
《江南大学学报(人文社会科学版)》
2006年第4期85-90,共6页
Journal of Jiangnan University:Humanities & Social Sciences Edition