从中国画图式到西方平面构成

From Figure Design of Traditional Chinese Painting to Western Graphic Form

西方平面构成理论作为一种有益的补充,对于中国画的完善和发展,具有积极的推动作用。同时,在中国画图式里,我们又可以找出以西方平面构成为理论基础的现代设计所欠缺的空灵、和谐的本土文化的精神内涵。只有本着以中为源,以西为流的原则,才能促进东西文化的交融与互补。

Contemporary Western culture, as a form of strong culture and mainstream culture of the age, is throwing enormous impact upon traditional Chinese culture. It is doubtless that Western graphic form theories serve as a positive and enlightening complement condusive for the development and prosperity of Chinese painting. Meanwhile, figure design of traditional Chinese painting maintains is a unique spiritual connotation of harmonious and native Chinese culture, which can by no means be traced in modern design, basing itself on the over-reasoning of Western graphic form. The present paper, therefore, holds the view that mutual exchanges and development of both Western and Eastern culture in a Chinese context can only be achieved under the guiding principle of ＂Chinese culture as the core, Western inflow as the complement. ＂