摘要
从文学符号学理论建构,文学语言与情感语言、科学语言的区分,以审美规范为中心的文学史观念三个方面分析布拉格学派代表人物穆卡洛夫斯基的美学思想,考察穆卡洛夫斯基以及布拉格学派与索绪尔及俄国形式主义的关系,并对其在20世纪西方美学史上的地位做出评估。
In the paper Mukarovsky＇ s conception of aesthetics is studied from the three perspectives of construction of literary semiotics, the distinction among literary language, affective language and scientific language, and aesthetic norm-centered historical view on literary development. Moreover, relationship between Mukarovsky as well as the Prague School and the Russian formalism is examined, and the position of Mukarovsky＇ s conception of aesthetics in western aesthetics in the 20th century is also assessed.
出处
《广州大学学报（社会科学版）》
2006年第6期73-78,共6页
Journal of Guangzhou University:Social Science Edition
