摘要
意象是中国文艺美学中一个非常重要的范畴,包含着丰富深邃的哲学美学思想。意象概念并非凭空生成,而具有哲学文学两方面的长期积累。从先秦有关“言”、“意”、“象”关系的论述,到魏晋玄学兴起,深化对“言”、“意”、“象”三者的思辩,加上先秦《诗》、《骚》以及两汉魏晋文学创作对文论的影响,才最终形成这一独具东方民族色彩的范畴。
Aesthetic image is a very important concept in the field of literature aesthetics of China. it contains very rich and deep philosophical and aesthetic thoughts. It comes into being because of the long accumulation of philosophical and literary aspects. In Xian-Qin Dynasty, people discuss the relations between words, meanings and image. In Wei-Jin Dynasty, Xuan-Xue flourishes, people deepen the discussion of words, meanings and image. Besides, Shi-Jing and Li-Sao in Xian-qin Dynasty and the literary writings in Wei-Jin Dynasty influence literature theory. Because of those, aesthetic image, including orient nation characters,comes into being in the end.
出处
《湖北广播电视大学学报》
2006年第5期33-36,共4页
Journal of Hubei Radio & Television University
关键词
意象
言
意
象
《文心雕龙》
aesthetic image
words
meanings
image
Wen Xin Diao Long