“同均三宫的调式基因”说否证——对童忠良先生《论同均三宫的调式基因》一文的商榷

Disproval to “The Gene of Keys in One Yun Three Gong”

证明一均、三宫、十五调的“真实存在”,并非只有通过“当今世界广泛使用的文化基因”而“别无其它”,采用传统的“四音列”形式完全可以揭示和认知。三种七声音阶之内涵、属性,完全取决于“乐种”、“地域”、“风格”、“旋法表现”以及“内在听觉”等音乐文化本质的东西,而非“调式基因”所能复制、组合。

＂The Cultural Gene that is universal in the present world＂ is not the one and only way to prove the real existence of ＂One Yun＂, ＂Three Gong＂ or ＂Fifteen Tunes＂; the traditional ＂Four-Tone Series＂ can also reveal them. The connotations and properties of the three different types of Seven-tone scales are determined only by different music type, region, style, expression of melody and inner listening, etc, but never by the duplication or combination of ＂Genes of Keys＂.