斯特拉文斯基早期室内乐作品的创作特征

Compositional Features of Stravinsky's Early Chamber Works

由于主客观原因,自1914年斯特拉文斯基在创作上开始向室内乐转型。其对舞曲体裁的喜爱以及对简洁抑制的音乐语汇的运用,预示了他向新古典主义风格的转变。作品以现代音乐的节奏、多元化的材料、不拘一格的多层次与多调性及基于传统又突破传统的曲式结构等,获得了极其新颖的音响效果,并呈现出鲜明的共性与个性特征。

By subjective and objective reasons, Stravinsky turned to chamber music composition since 1914. The favor of dance music genre and the brevity of music language, indicate his turning to neo-classicism. These works have modern rhythm, diversified materials, multi-layers and polytonality of different styles, and formal structure that is based on and goes beyond the traditional forms. The works possess most novel sound effect and reveal sharp individual and general features.