报告文学难以承受“狂喜”——由老舍的报告文学《狂喜札记》所想到的

The Unbearable Ecstasy for Reportage

从《访苏心潮》与《狂喜札记》中可以看出,报告文学不应兴奋张扬地抒发激情,报告文学是有限制的文学艺术创作,多样性不是随意性,它只能反映和报告某一事件、某一人物、某一地方、某一问题、某一现象。在历史流变与现实发展的交汇点上进行升华与创造,使作品深深打上历史与时代的烙印,才是真正把握了报告文学创作的灵魂。

Seeing from A Visit to Russia and A Record of Ecstasies, we can find that reportage should not express passion in an excessive way, for reportage is limited literature and art creation. Variety is not arbitrariness; reportage can only demonstrate and report one event, one person, one place, one problem and one phenomenon. To make sublimation and creation in the joining point of history development and actual society development and make the reportage marked by the history and time is to gasp the spirit of reportage creation.