摘要
《尤利西斯》的语音修辞一直是乔学研究的一个薄弱环节,缺乏系统、深入的探讨。本文从语音修辞入手,借用P lett的语音修辞模式,并根据实际需要对其进行删减和增补,讨论了《尤利西斯》中因音素变异(破格)和音素强化(平行)而形成的18个辞格,以揭示其特有的文体功能。小说中的语音修辞增强了语言的音乐性和游戏性,对语篇起到了衔接和连贯作用,有时还可产生联觉效果,具有较强的人际意义。此外,语音修辞对小说语言诗化倾向也起到了十分重要的作用。
The phonological figures in Ulysses have been the weakest aspect in Joycean studies, calling for a systematic scrutiny. Using a revised model of phonological figures by Plett, this article explores some 18 phonological figures concerning phonemic deviations and phonemic enforcement, and their stylistic effects. These figures contribute to the musicality and playfulness, and also to the textual cohesion and coherence of the novel. In some contexts they produce an effect of synaesthesla and perform an obvious interpersonal function. Moreover, they play an important part in the linguistic poeticity of the novel.
出处
《解放军外国语学院学报》
北大核心
2006年第5期13-19,共7页
Journal of PLA University of Foreign Languages
基金
重庆市教委人文社科项目(05jwsk061)
关键词
乔伊斯
尤利西斯
语音修辞
文体效果
诗化倾向
Joyce
Ulysses
phonological figures
stylistic effects
linguistic poeticity
