摘要
于坚诗歌中对自然的审美化关注,是从两种不同角度和途径抵达的:其一,是通过对自然生命的细节摹写展示其本身的魅力;其二,是以“拒绝隐喻”的自然书写来抵御实践美学指导下的象征传统,进而完成对自然的复魅之旅。而在其诗学理论建构的背后,是对工业文明时期自然工具化思维引发的诗意沦陷和大地危机的忧虑。
Yu Jian usually focuses on nature aesthetically in two ways; one aims to reveal the charm of living nature in detail and the other aims to resume the charm of nature by refusing metaphor and symbolism guided by practical aesthetics. His poetics reveals his anxiety that the organon-oriented thinking in the period of industrial civilization will bring about not only the abandonment of poetics but also the death of mother earth.
出处
《云南师范大学学报（哲学社会科学版）》
CSSCI
2006年第5期125-131,共7页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
基金
国家社科基金青年项目:汉语诗歌的音乐形式及其变迁(批准号:04CZW006)
关键词
于坚
诗歌
生命旋律
忧虑
Yu Jian
poem
living rhythm
anxiety
