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等待“后苏联”电影神话——简析在市场中探寻的俄罗斯电影

Waiting for the Myth of "The post-Soviet" Film:On the Russian Film in the Market
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摘要 苏联解体后,长期生活在计划经济“襁褓”中的电影失去了依托。国家生产滑坡、物价上涨、面包比娱乐更紧迫。放开的国门为外国电影,尤其是好莱坞电影的泛滥铺平了道路。在内外交困的情状下,俄民族电影生产凋敝,观众流失,发行放映网全线崩溃,几度走到了濒临消亡的境地。然而政府、制片厂和电影创作者在困顿中探索,慢慢使几经坎坷的本土电影走向复苏。 After Soviet Union disintegrating,the cinema which has been surviving in "the swaddling clothes" for a long time lost the backing in the planned economy. The production increases ,the price rose,and the bread was more urgent than the entertainment. Gate of the country was opened and it smoothed the way for the foreign film and the Hollywood cinema. Under the situation, the audience drained, and the system of issue and show entirely collapsed. However the government, the studio and the creator kept on searching for the wayout and the cinema recovered soon.
作者 姚汝勇
机构地区 聊城大学文学院
出处 《齐齐哈尔大学学报(哲学社会科学版)》 2006年第5期65-67,共3页 Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词 伪市场 发行放映网 “家庭电影”时代 “后苏联”电影 the false market the system of issue and show the "Home Cinema" time "The post - Soviet" Cinema
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