摘要
艾丽丝.默多克1978年布克奖获奖小说《大海啊,大海》中真实自然的景物在深化作品主题方面具有巨大的象征意义。作品通过“洞穴”、“盒子”、“大海”、“海怪”等意象剖析了主人公查尔斯臆想狂妄而又尚未觉醒的灵魂内心。这些表面追求“自由”的绑架者和臆想者本身,却深陷于道德的俘获与精神的枷锁之中。作品深刻地反映了默多克道德哲学中自由与囚笼这一主题。
The real and natural sceneries in Iris Murdoch' s 1978 Booker Prize Winner The Sea,the Sea plays an enormous role in deepening the theme of the novel. Through the Symbols —— "The Cave", "The Box", "The Sea" and "The Sea Monster" ,the novel analyzes the hero Charles' fantastic and un - woken inner soul, It is the kidnapper who is in moral and spiritual capacity. The novel deeply reveals Murdoeh' s theme of freedom and capacity.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2006年第5期97-99,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)