摘要
鲁迅小说《祝福》中,叙述者“我”的隐、显的过程就是“我”的文化身份的失去、寻找和确证的过程。叙述者“我”因文化身份的边缘化而焦虑,替下层劳动人民代言立言而重新确立自己的文化身份,这对在文化转型中彷徨和苦闷的知识分子的文化身份的重新抉择和确立具有启示作用。
In the New year Sacrifice written by Lu Xun, the display and concealment of the narrator "I" is a process of loss,seeking and identification of the narrator's cultural role. The narrator" I" felt anxious about the status being put to the verge and such a status was reestablished because of the representation of the toiling masses. Such an identification gives enlightenment to the reorientation of the cultrual role of the intellectuals who were hesitating and feeling vexed in the course of cultural transformation.
出处
《湖南工程学院学报(社会科学版)》
2006年第3期76-78,共3页
Journal of Hunan Institute of Engineering(Social Science Edition)
关键词
叙述者“我”
文化身份
焦虑
寻找
文化认同
the narrator "I"
cultural role
anxiety
seeking
cultrual identification