语用学视野下的诗歌语篇研究

Exploring Poetic Discourse from a Pragmatic Perspective

诗歌是精炼的艺术、文学的精华,纯正文学趣味的培养需要从读诗入手。将诗歌语篇纳入语用学研究视野并建立诗学语用学这一交叉学科可以拓宽语用学和文体学的研究范围和层面。诗歌语言与自然语言本质上没有差异,它与作者和读者的心理乃至整个社会历史、思想文化的外部语境都有着密切的联系,因此必须采用内观和外观相结合的综合分析研究方法探究其动态而多维的语用目的。诗歌语篇的互动性可以在言语行为理论框架中得到诠释,取效行为理论模式的建立进一步验证了言语行为理论应用于诗歌作品欣赏的可行性及有效性。

Poetry is the most condensed form of literary works and reading poetry contributes tothe cultivation of pure literary taste. To study poetic discourse from a pragmatic perspective and theorize poetic pragmatics will broaden the scope of pragmatics and stylistics. Poetic language and natural language bear no difference in nature. Poetry is closely connected with the author, the reader, social history and culture. Consequently, poetic discourse should be studied through the combination of inward looking and outward looking approaches to explore its dynamic and multi - dimensional pragmatic purposes. The interaction of poetic discourse can be well explained within the framework of Speech Act Theory. The paper proposes a model of perlocution which further proves the feasibility and validity of SAT＇s application in poetry.