何其芳后期创作分裂论

On separation of literary writing in He Qi - fang's later career

何其芳赴延安之后的创作与其早期作品比较,明显出现了思想与艺术发展的不平衡。这种分裂的原因是多方面的:首先是时代的规约。作为无产阶级革命战士,何其芳后期创作深深烙下了为政治服务的印记。其次是对新事物的盲目赞美。童年的苦难经历使何其芳对旧社会深恶痛绝,对共产党强烈热爱,一味的赞美与高歌构成了他后期创作的主题旨归。三是何其芳怀有强烈的告别旧我的“原罪”意识。投身革命的知识分子要改造自己身上的种种非无产阶级思想与意识,但这种改造绝非是要通过彻底否定“旧我”的方式来实现,而何其芳恰恰陷入了这样的思维误区,导致了他矫枉过正,自我主体缺失,走上了一条思想进步而艺术退坡的路子。

After his arrival in Yah＇an,He Qi- fang＇s literary writing,as compared to his early works,is separated in thinking and artistic value. This separation lies in several erspects： the limitation of the time he lives in, his blind ode to the new things, and his strong old - fashioned ＂original sin＂ thoughts. All the above - mentioned lead to the separation of literary writing in his later career： advanced in thinking,but backward in artistic pursuit.