对《雷雨·序》的一次接受学细读

To Peruse the Preface of Thunderstorm from Reception Aesthetics

从接受美学的角度看,《雷雨.序》作为一篇研究曹禺创作的重要文献,标示了《雷雨》早期接受史上的错位接受现象,也折射出作者原旨、读者释义和文本意义三者的复杂关系,更隐含着曹禺对文本意义的理想接受模式的期待。

In the eyes of reception aesthetics,the Preface of Thunderstorm as a important documentary article on researching Cao Yu,has shown the misreading of Thunderstorm in the early history of reception,and has reflected the complicate relation between the intention of the author, the explanation of readers and the meaning of the text, furthermore it has contained Cao Yu expected the ideal reception model of text meaning.