大山之子:毛泽东诗词象征世界的原型批评

Son of the Mountain: Criticism of Prototype of Symbolized World in Mao Zedong's Poems

当代艺术中象征的深层意蕴的挖掘,是荣格原型方法的主要内容,在毛泽东诗词中,山几乎无处不在,这个象征世界深刻的寓意给我们启示。在这个象征世界里,大与小、莽与裁、山与人、自然美与人性美等对立统一的哲理特色十分突出。毛泽东对大山情深谊厚,他写大山,歌颂大山,除了现实的因素外,还体现了人类寻找精神家园回归自然的意识,这些咏山之作启示人们从一个新的视点去观察大自然,发现和理解大自然的美,这无论在文学史上还是文化史上意义都不可低估。同时,其诗词又有着强烈的修辞意义和有限变无限举一反三的艺术功能。

In the exploration of deep connotations in modem artistic symbolization, the prototype by Carl Gustav Jung is the major method. In Mao Zedong＇s poems, mountains exist everywhere, which is a symbolized world with profound connotations. In this symbolized world, the philosophic characteristics of antinomy and unity are very outstanding between big and small, wildness and civilization, mountain and man, natural beauty and human beauty. Mao Zedong had a deep love for mountains. He wrote about mountains and paid tributes to mountains. Apart from realistic factors, it also embodied man＇s awareness to seek spiritual homestead for the return of the Nature. These poems in praise of mountains inspire people to observe the Nature, to discover and understand the beauty of the Nature from a new point of view, which either in the history of literature or in the history of culture cannot be underestimated. And in the mean time, they also have strong rhetoric significance with artistic functions in drawing inferences and in the limited to the limitless.