艺术可信,当它摆脱确定性时——阿多诺《美学理论》对康德确定性美学批判述评

The Art Is Convinced When It Casts Off Definiteness——The Critical Commentary About T.W.Adorno Aesthetic Theory To Kant's Definite Aesthetics

康德美学无疑是资本主义启蒙运动以来,唯心主义美学的最好标本。从对康德美学的分析中,阿多诺向我们揭示了启蒙辩证法和资本主义市场经济原则在美学中的投影。但这种投影在当今的时代却遇到内外两方面的困境。阿多诺带着这样的疑问,在对康德美学的批判中,发展出自己的否定辩证法的美学理论。他的理论对后现代的文化产业和美学批判有很强的现实意义。

Without a doubt, Kant＇s aesthetics is the best sample of idealism aesthetics since the capitalist age of Enightenment. By analyzing Kant＇s aesthetics, Adormo revealed Aufklaerung dialectics and the principles of the capitalist market economy reflecting on aesthetics. But this reflection is faced with straits from inside and outside at the pressent time. With this doubt, Adorno developed his negative dialectics theory of aesthetics by criticizing Kant＇s aesthetics. His theory has brought about important practical significance at the cultural estate of postmodern and aesthetical criticism.