身份叙事:边缘状态的自我倾诉——二十世纪九十年代中国电影的作者表述

The Identity Narrative: The Marginalization of Self-Enunciation-The Expression of the Chinese Film-Workers in 1990s

本文以20世纪90年代的电影为研究对象,分别从对象、内容和方法三个层面分析了“新生代”导演身份叙事的特性。这里的身份叙事特指“新生代”导演在“代”际影响下所具有的边缘文化身份和焦虑心态在其电影中的表述,包括叙事对象和叙事主体的边缘身份的相互指认。处于电影创作边缘地带的“新生代”导演在书写中自觉或不自觉地将身份意识输入其创作过程。

This paper takes the cinema of 1990s as its object of study and tries to analyze the identity narrative characteristic of the “new generation” directors. The so-called identity narrative refers to the cultural marginalization of identity and the anxiety of the directors expressed in their films, including the identification of the marginalized identities of both the narratee and the narrator. These “new generation” directors have consciously or unconsciously written their awareness of identity into their works.