摘要
20世纪30年代的戴望舒以对中西诗艺的融汇化合,建构起自己独特的诗歌世界,也初步建构起一种可贵的现代性诗歌品格,推进了中国现代主义诗潮的向前发展。但是这种现代性并不完整,也并不纯粹,存在着明显的缺失和杂质。如何提升中国诗歌的现代性品格,戴望舒的诗歌从正反两方面都给了我们有益的启示。
As a modem poet in 1930s, Dai Wangshu, who was good at blending skills of Chinese poetry, built up his unique world of poetry and, above all, an invaluable modernity of poems, thus pushing forward the development of Chinese modem poetry. Although this modernity, with some distinct incomplete points, is far from being complete and pure, it is a true historical form as well as an unaviodable phenominum at the primary stage of modem poems.
出处
《云梦学刊》
2006年第5期104-107,共4页
Journal of Yunmeng