摘要
魏晋南北朝时期是一个思想极其自由解放的时代,而艺术的自觉在这个时期得到最充分的体现。借王《平南论画》中的“画乃吾自画,书乃吾自书”说明了这种自觉,并提出了这种自觉三个方面的体现。
The South and North Dynasty is an era full of free ideas, and art self-consciousness is thoroughly expressed in this era. Self-consciousness of art is fully exemplified in Wangyi' s "style is the man in painting and calligraphy" in his writing Pingnan Discussing Painting. The article analyses this point and the three manifestations of this kind of art self-consciousness.
出处
《株洲工学院学报》
2006年第5期1-2,共2页
Journal of Zhuzhou Institute of Technology
关键词
书画自觉
个性独立
抒情言志
self-consciousness in painting and calligraphy
individuality
expressing feeling and aspiration