摘要
艺术领域的混乱和浮躁源于人们的认识和态度。中国油画的发展有个明显的不良现象,即被动、盲目的尾随趋向,这表现在本土的模仿和崇洋的模仿两个方面。我们应该发挥油画丰富多样的语言表现力,更加彰显油画的文本意义,创作出更具本土特色的油画作品。
The confusion and flippancy in the field of art roots in people's cognition and attitude. The obvious unhealthy phenomenon in the development of Chinese painting is the passiveness, blindness and trailing, which is evident in the imitation of both native and foreign works. We should develop the strong expressive form of the rich language of painting, reveal its textual significance and create more paintings of native feature.
出处
《新疆艺术学院学报》
2006年第3期53-55,共3页
Journal of Xinjiang Arts University
关键词
油画
世界性
民族性
艺术本真
Oil painting
Globalization
Nationalization
Art authenticity