摘要
时至今日,音乐毫无疑问地越来越大众化了。这种音乐的大众化不仅对音乐的创作与表现产生一种巨大的冲击,而且还给人们的音乐审美观念、审美方式乃至人们的生活观念和方式带来巨大的变化,具有耐人寻味的深意。令人遗憾的是,面对音乐的日益大众化,音乐理论家或音乐评论家却很少给以理论的分析和评论,使其内含的深意无法清晰地显现出来。正因如此,文章将从音乐社会学的角度来论述音乐大众化的问题,使人们能够透过这一被忽视的音乐现象的表面触摸它的实质。
Nowadays, music has been so popular among the general public, which in turn has impacted the expression and creation of music, and brings great changes to people's aesthetic taste of the music and even their notion of life. But there is a tendency that there has been very few theoretical comment and analysis of the phenomenon by those musical critics and theoreticians. Therefore the author of the article discusses the issue of the popularity of the music in order for the general public to deeply understand the essence of the matter.
出处
《新疆师范大学学报(哲学社会科学版)》
2006年第3期137-139,共3页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
关键词
音乐
大众化
审美
听觉
回归
music
popularity
aesthetic taste
hearing
returning