摘要
谢灵运山水诗前人已指出其得益于佛教思想,尤其是慧远佛教美学思想对谢诗产生了明显的影响。谢灵运极物写貌的山水诗与东晋品鉴式的山水诗之间有质的区别,体现了美学思想的根本差异,这一点与谢灵运继承和发挥慧远佛教美学思想密切相关。谢灵运山水诗创造性地发展了慧远形象本体之学的美学思想,在山水诗的创造上取得了突出的艺术成就。
It had been pointed before that the landscape poetry of Xie Lingyun benefited from Buddhist thought, especially from Hui Yuan＇ s aesthetic thought. The essential difference between Xie Lingyun＇ s realistic style of writing and the way to express impression mood in the landscape poems in the Eastern Jin Dynasty showed the ultimate discrepancy among aesthetic thoughts. And it is related with the fact of Xie Lingyun inheriting and developing Hui Yuan＇ s aesthetical thought. As creatively developing Hui Yuan＇ s aesthetic thought of visual reality, Xie Lingyun made an outstanding artistic achievement in writing his landscape poems.
出处
《南京师范大学文学院学报》
2006年第3期104-109,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
慧远
形神论
净土思想
谢灵运
山水审美
山水诗
Hui Yuan, the theory of appearance and spirit, Sutehavati, Xie Lingyun, landscape aesthetic thought, landscape poem
