摘要
辽统治者注重学习汉文化,受汉文化影响,非常重视绘画艺术。因此,辽代画家辈出,作品丰富。辽代绘画在接受汉文化影响的同时,又受民族生活习惯和风俗、审美特点的影响,产生了一些不同于汉族艺术的新的艺术现象和美学特征,体现出契丹民族游牧文化的鲜明特色。
The rulers of the LIAO Dynasty paid attention to learn Chinese culture. The influence of the Chinese culture made them attach great importance to the art of drawing. As a result, artists came forth in large numbers and abundant art works emerged. While the paintings in the LIAO Dynasty accepted the influence of the Chinese culture, they also enriched themselves with their own national habits, customs and aesthetic characteristics to have created some fresh artistic phenomena and aesthetic futures different from the Chinese art, which incarnated the brilliant quality of nomadic culture of the Qidan nationality.
出处
《洛阳大学学报》
2006年第3期102-103,共2页
Journal of Luoyang University
关键词
绘画
契丹民族
游牧文化
painting
the Qidan nationality
nomadic culture