摘要
中国的戏曲演出艺术,对灯光的照明和造型的处理有其独特的要求和特点,它们两者之间有时是独立的,有时是统一的,有时两者之间互为转换。度的尺寸,决定了不同演剧种类的灯光处理样式。
The stage presentation of Chinese opera makes special demands on both illumination and modeling for a lighting designer. These two demands are sometimes contradictory and sometimes complementary. The nuances and areas in between these two requirements determine lighting styles for different operatic forms.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2006年第3期53-62,共10页
Drama:The Journal of the Central Academy of Drama