期刊文献+

娱乐还是抗争?——当代女性暴力电影研究 被引量:2

Entertainment or Protest:Present Day Women's Film of Violence
原文传递
导出
摘要 当代电影中出现了越来越多的女性施暴者形象,可谓女权主义在电影艺术中的必然产物。但是,由于创作主体的不同,女性在暴力故事中的命运及走向明显地呈现出两种截然不同的态势。本文立足于女性暴力电影,对施暴者类型、叙事视角、影像表达等进行分析,并试图对暴力在女性电影中的存在作用与社会功能作出更深的反省。 Contemporary screen has witnessed an increase in perpetration of violence by women, which can be seen as an inevitable result of feminism in filmmaking. Two kinds of entirely distinct destinies for women, due to differences among filmmakers are presented in movie stories of violence. This paper examines these different types of female violence, narrative viewpoints, and visual expression. It attempts to probe the functions and social impacts of representation of violence in feminist film.
作者 汪献平
出处 《戏剧(中央戏剧学院学报)》 CSSCI 北大核心 2006年第3期93-101,共9页 Drama:The Journal of the Central Academy of Drama
关键词 女性暴力电影 施暴者类型 男性凝视 女性建构 female violence film types of perpetrators of violence male gaze feminist construction
  • 相关文献

参考文献4

  • 1王虹.女性电影文本——从男性主体中剥离与重建[J].西南民族大学学报(人文社会科学版),2004,25(8):203-209. 被引量:29
  • 2KAPLAN,E.ANN.女性与电影—摄影机前后的女性[M].曾伟祯等译.台北:台湾远流出版公司,1997.
  • 3劳拉·穆尔维.视觉快感与叙事性电影[A].周传基译.李恒基,杨远婴编.外国电影理论文选.上海:上海文艺出版社,1995.
  • 4伊丽莎白·格罗茨.性差异与本质主义问题.女性主义思潮导论[M].武汉:华中师范大学出版社,2002.

二级参考文献6

  • 1卡勒.论解构[M].天马图书有限公司,1993..
  • 2埃莱娜·西苏(Helene Cixous).美杜莎的笑声[J]( The Laugh of the Medusa )[A]..当代女性主义文学批评[C].北京大学出版社,1992..
  • 3雅克·德里达(Jacques Derrida).书写和差异[J](Writing and Difference)[A]..女性主义思潮导论[C].华中师范大学出版社,2002..
  • 4中共中央马 恩 列 斯著作编译局编.列宁选集(第4卷)[C].人民出版社,1972..
  • 5伊丽莎白·格罗茨(Elizabeth Grosz).性差异与本质主义问题[J](“Sexual Difference and the Problem of Essentialism”)[A]..女性主义思潮导论[C].华中师范大学出版社,2002..
  • 6伊格尔顿 王逢振.当代西方文学理论[M].中国社会科学出版社,1988..

共引文献30

同被引文献24

  • 1Dara N. Greenwood.Are Female Action Heroes Risky Role Models? Character Identification, Idealization, and Viewer Aggression[J]. Sex Roles . 2007 (9-10)
  • 2Tara M. Emmers-Sommer,Perry Pauley,Alesia Hanzal,Laura Triplett.Love, Suspense, Sex, and Violence: Men’s and Women’s Film Predilections, Exposure to Sexually Violent Media, and their Relationship to Rape Myth Acceptance[J]. Sex Roles . 2006 (5-6)
  • 3The Hazards of Helen. http://en.wikipedia.org/wiki/The_Haz-ards_of_Helen . 2010
  • 4The Hazards of Helen. http://www.fandango.com/thehazardsof-helen%5Bserial%5D_v238602/summary . 2010
  • 5The Perils of Pauline(1914serial). http://en.wikipedia.org/wiki/The_Perils_of_Pauline_(1914_serial) . 2010
  • 6Aaron Anderson.Kinesthesia in martial art films. Jump Cut:A Review of Contemporary Media . 1998
  • 7Brown J.Gender and the action heroine:Hardbodies and the"Point ofNo Return". Cinema Journal . 1996
  • 8Brown J.Gender,sexuality,and toughness:The bad girls ofac-tion film and comic books. Action chicks . 2005
  • 9Debbie Ging.All the Rage:Digital Games,Female Violence and the Postfeminisation ofCinema’s New Action Heroines. Film and Film Culture . 2007
  • 10E Behm-Morawitz,D Mastro.The effectgs ofthe sexualization of female video game characters on genderstereotyping and femal self-concept. Sex Roles . 2009

引证文献2

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部