摘要
当代电影中出现了越来越多的女性施暴者形象,可谓女权主义在电影艺术中的必然产物。但是,由于创作主体的不同,女性在暴力故事中的命运及走向明显地呈现出两种截然不同的态势。本文立足于女性暴力电影,对施暴者类型、叙事视角、影像表达等进行分析,并试图对暴力在女性电影中的存在作用与社会功能作出更深的反省。
Contemporary screen has witnessed an increase in perpetration of violence by women, which can be seen as an inevitable result of feminism in filmmaking. Two kinds of entirely distinct destinies for women, due to differences among filmmakers are presented in movie stories of violence. This paper examines these different types of female violence, narrative viewpoints, and visual expression. It attempts to probe the functions and social impacts of representation of violence in feminist film.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2006年第3期93-101,共9页
Drama:The Journal of the Central Academy of Drama
关键词
女性暴力电影
施暴者类型
男性凝视
女性建构
female violence film types of perpetrators of violence male gaze feminist construction