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文学叙事的“非消费性”

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作者 郑崇选
出处 《文艺理论研究》 CSSCI 北大核心 2006年第5期115-120,F0003,共7页 Theoretical Studies in Literature and Art
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  • 1周宪.现代性的张力──现代主义的一种解读[J].文学评论,1999(1):129-138. 被引量:75
  • 2沃尔夫冈·韦尔施.《重构美学》[M].上海译文出版社,2002年版.第109页.
  • 3J. Hillis Miller, On Literature. London and New York: Routledge, 2002, p. 1.
  • 4W. J. T. Mitchell, Iconology. Image, Text, Ideology. Chicago: The University of Chicage Press, 1986, p. 43.
  • 5Martin Jay, Downcast Eyes. The Denigration of Vision in Twentieth-Century French Thought. Berkley: The University of California Press, 1993, p. 564.
  • 6Steven Best and Douglas Kellner, Postmodern Theory, Critical Interrogations. New York: The Guilford Press, 1991,p. 152.
  • 7Fredric Jameson, Postmodernism, or, The Cultural Logic of Late Capitalism. London and New York: Verso, 1991, p.8.
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  • 9Fredric Jameson, Postmodernism, or, The Cultural Logic of Late Capitalism. London and New York: Verso, 1991, p.9.
  • 10Louis Althusser, Ideology and Ideological State Apparatuses, in: Lenin and Philosophy and Other Essays, trans. Ben Brewster. New York and London: Monthly Review Press, 1971, p. 162.

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