摘要
“神思”的一个重要的思维特征是浓缩时空。对“神思”的时空意义较早地作全面准确把握的古代文艺理论家是陆机,他在注重思维现时性的同时,更加强调思维的空间性价值,并将时空在现时性的统一中糅合在一起,凸显了思维的时空意义。陆机之后,对“神思”的时空意义做出较为详尽讨论的是刘勰。他关于精神死寂的表面追溯是“神思”时空意义的深化。刘勰追溯的本质不是显示作家艺术家在进行文学艺术创作时的心如死灰,恰恰相反,是为了展示心对时空的熔铸能量。无论陆机还是刘勰,他们对“神思”的时空考察都注意到了时空的虚拟性。这不同于一般的时空观念。
Concentrating time and space is an important thinking features of Shensi. Lu ji discussed meaning of Shensi in time and space on a earlier time. He paid attention to timeliness and value of space in thinking, emphasized meaning of time and space. Liu xie discussed problem of spiritual deathly stillness in Shensi. His essential intension not only showed that writers and artists' hearts died in creating, but also expounded the ability that heart caste time and space. Lu ji and Liu xie studied fictitious of Shensi. They thought that it was a peculiar view in time and space.
出处
《韶关学院学报》
2006年第7期8-11,共4页
Journal of Shaoguan University
关键词
“神思”
时空
陆机
刘勰
思维
Shensi
time and space
Lu Ji
Liu Xie
thinking