从类特质出发建构中国现代美学——关于全球化时代下中国美学何以成为可能的几点思考

Build Up Modern Aesthetics of China from the Generic Idiosyncrasy——How Could China Aesthetics Become Possible Under the Background of Globalization

面对强大的西方传统学术背景,中国学人们意图在更高的维度上重构中国现代美学,也试图在更高层次上实现中西两种不同类型美学的对话与交流。基于这样的认知,要想建立具有现代形态意义上的中国美学,要从“类特质”视角出发看待中国美学,既不要以西抑中,也不能以中抑西,应把中西美学看成两种不同“类特质”的美学资源。也因此,我们要摆正心态对待中西两种不同类特质的美学,挖掘各自有益于人类审美思想精华的东西,将中西两种不同类特质美学放置于平等的平台上,实现中西美学可能的对话与交流,这样做的目的是使中国美学的建设在全球化大背景下走上与西方美学同步的现代化之路。

In the face of the strong background of western traditional academe, Chinese scholars wants to re - construct China modem esthetica on a higher dimension, and tries to realize the dialogue and communion between China and the western esthetica in a higher level. Accordingly in order to build up modem China aesthetics, we should set out from ＂generic idiosyncrasy＂ in treating Chinese esthetica, neither suppressing China, nor suppressing west, and we should take the two kinds of aesthetica as two different aesthetic resources of ＂generic idiosyncrasy＂. Therefore, we must excavate the beneficial human aesthetic thought, lay aside the two different generic idiosyncrasies of China and the West in the equal platform, and realize the possible dialogue and the communion between China and the West esthetica. Thus Chinese aesthetic construction could walk up the modern road with the western aesthetic synchronization under the great background of globalization.