摘要
艺术问题是和人与宇宙之间的关系这个问题紧密相关的。在西方传统的理性观念中,它预设着“理念”和“主体”等认知范畴,因此形成了在本质上以现代人本主义为基础的现代审美艺术观。海德格尔一反这种理论传统,力图在人与宇宙之间重建一个非人本主义为中心的意义空间,因此提出了一种天、地、人、神共在的艺术观,这种艺术观在质疑现代主体性观念的同时,使人们以一种新的眼光来思考人与自然之间的生存关系,对于深思现代人的生存状况来说具有深远的启发性。
The thought of art is related closely with the thought of metaphysics. The modem Aesthetic thought is based on the modem Humanism which presupposes many categories like "idea" and "subject". Heidegger objects to the Rational Humanism tradition of the West, and tries to rebuild the multy - dimensions relationship between human and nature. He argues that the thought of art should be built by the sky, earth, divinities and the mortals together, which breaks the illusion of the Subject and reveals the possibility of a new relationship between human and nature.
出处
《阴山学刊》
2006年第4期82-86,共5页
Yinshan Academic Journal