摘要
在早期中国新诗中,“说理”这一观念的产生及传播,直至成为主导范型之一,不仅凸现了早期新诗的特殊语境,也反映了时人对于新诗不同的想像方式。胡适以“说理”为视角,以建立自己于旧文学的风格性,并藉此开拓出新诗之空间。在其后关于新诗的种种辩驳中,“诗文之分”、“诗之好坏”、“说理与诗”等话题亦被讨论,而成为新诗话语争夺之场所。
In early new poetry, the conception of "reasoning" turned up, spread and finally turned out to be one of the leading patterns. This not only manifested the particular language environment of early new poetry but also showed people' s different ways of thinking about new poetry. Taking "reasoning" as the visual angle, Hu Shi established his style independent of the old literature, and therefrom he opened up the space for new poetry. After that such disputes over new poetry as "difference of poetry from prose", "the good and the bad of poems", "reasoning and poems", etc. took place and these subjects developed into hotly contested places of new poetic discourse.
出处
《江汉大学学报(人文科学版)》
2006年第4期11-15,共5页
Journal of Wuhan Institute of Education
关键词
早期新诗
说理
胡适
象征
early new poetry
reasoning
Hu Shi
symbol