隶书的绝唱——论山东庙堂汉碑

The Unsurpassed Article of Official Script——Discussing About the Stone Tablet of Confucius Temple in Shandong Province

作为儒家思想的表现载体的庙堂汉碑隶书是书法艺术走向自觉和成熟的结果。同时也因其典雅恭谨、沉古遒厚而成为隶书的标准和极则。但标准和极则带来的局限以及书法艺术的发展规律,使隶书体一度淡出。直到明清碑学兴起,人们才又重新审视隶书,并促发了隶书艺术的复兴。尤为可喜的是近代以来,秦汉简帛书法的大量出土,为书法艺术的发展注入了新的血液,隶书艺术的发展迎来了新的机遇。

As the carrier of Confucianism, the official script on the stone tablet of Confucius temple has been the result that calligraphy advances towards self-conscious and mature. At the same time, it has become the standard and rule of the official script for its elegant, preciseness, steady and calm. On the other hand, the restraint brought by the standard and rule has made the official script decreased in a period of time. Until the rising of study on stone tablet in Qing Dynasty, people began to study and weigh the official script again, and promote the reconstruction of it. It is congratulatory that as the bamboo and silk letters calligraphy of Qin ＆ Han Dynasty were discovered, the new blood was pour into development of calligraphy, and the official script meets a new chance, too.