摘要
《水浒传》塑造了一批栩栩如生、活灵活现的男英雄,但是其中的女英雄形象却不尽如人意;而《水浒后传》《后水浒传》和《荡寇志》等续书中的女英雄形象则不同程度地超越了《水浒传》。其中,《水浒后传》中的顾大嫂在外貌、性格、行为方式等方面都与《水浒传》中有所不同;《后水浒传》成功地塑造了一位可爱的、充满女性色彩的女英雄屠俏;《荡寇志》则塑造了以陈丽卿、刘慧娘为首的一系列女英雄形象。
Shuihuzhuan depicts a group of vivid and true-to-life heroes, but the heroine images are not satisfactory. The images of heroines in the sequels Shuihuhouzhuan, Houshuihuzhuan and Dangkouzhi surpass those in Shuihuzhuan . For example, Sister-in-law Gu in Shuihuhouzhuan is different from the one in Shuihuzhuan in appearance, character, and behaviour. Houshuihuzhuan successfully depicts a lovely and outstanding woman Tuqiao. Dangkouzhi creates a series of heroine images headed by Chen Liqing and Liu Huiniang.
出处
《菏泽学院学报》
2006年第3期76-80,119,共6页
Journal of Heze University
基金
曲阜师范大学"泰山学者建设工程专项经费资助"项目
