摘要
杜甫不仅是位伟大的诗人,而且是位有着广博高深的艺术鉴赏、品评功力的艺术批评家。书论他以“瘦硬通神”为最高境界,画论他以“画骨传神”为最佳标准,诗论他以“凌云健笔”之风为喜,创作他以“沉郁顿挫”而见长,更多地表现为瘦劲之力、沉雄之气和冷峻之美。杜甫在各门类艺术鉴赏中所共同表现出重瘦劲轻肥俗、重骨弃肉、重神轻形的艺术审美观,是他对魏晋时期的文艺思想和艺术审美观的继承和发扬。
DU Fu is a great poet as well as an artistic critic with great ability to appreciate literary and art works. DU fu＇s aesthetic appreciation conception of attaching greater importance to inner spirit than forms of literary and art works indicates that he inherited and carried forward the ideology of art and literature as well as the conception of aesthetic appreciation in Wei and Jin dynasties.
出处
《唐都学刊》
2006年第5期27-30,共4页
Tangdu Journal
关键词
审美
瘦硬
重骨弃肉
魏晋风骨
aesthetic appreciation
thin but hard
attaching greater importance to the inner spirit than forms of literary and art works
literary and artistic style of Wei and Jin Dynasties
