“新诗”美学合法性的自觉寻求——以徐志摩的活动为中心

The Pursuit of New Poetry's Aesthetic Legality——Focusing on Xu Zhi-mo's Writing

在经历最初的喧嚣之后,由于各种内外因素的作用,1920年代初的“新诗”一度十分沉寂。面对这种情势,以徐志摩为代表的诗人意识到,必须在创作上有所作为,才能真正使“新诗”获得一种自立的地位。于是,一群诗歌观念相近的写作者集结于《晨报副镌.诗镌》,为“新诗”的美学合法性提供了重要的支持。

Abstract：After the initial excitement, due to various factors, the “New Poetry” fell into a difficult position in early 1920＇s. For confronting this disadvantageous situation, some poets, especially the representative figures among them, were fully aware of the seriousness of the problem. They realized that if the “New Poetry” would achieve autonomy, it needed to produce many outstanding works of poetry. These poets who had similar poetic viewpoint gathered around the Poetry Supplement of the Morning Paper. They made efforts to support New Poetry＇s Aesthetic Legality.