被物化妇女的话语——《玩偶之家》和《伤逝》的对比研究

The Discourse of the Objectified Women——A Comparative Study of A Doll's House and Regret For The Past

《玩偶之家》和《伤逝》中的女主角娜拉和子君都被各自的环境所物化,但她们分别采用了言说和沉默两种不同的话语方式来表达自己。通过言说,娜拉否定了男权至上的观念,维护了自己做人的权利;子君则在沉默中失却了自我,乃至于生命。在两种不同选择的背后存在着深层次的文化根源。总体而言,生活在男权社会的女性大致扮演着相似的角色,但与西方同时代的妇女相比,囿于封建教条的中国妇女的命运更为悲惨。

The heroines in A Doll＇s House by Hertrik Ibsen and Regret For The Past by Luxun are both objectified by their respective environment, but they resort to different means of discourse. Employing speech, Nora denounces male supremacy and asserts her right as a human being while Zijun in silence is deprived of self- esteem and then sent to an early grave. There exist cultural factors behind their choices. Generally speaking, women all over the world assume similar roles that society dictates for them, but women in feudal China with its rigid ethical imperatives are subjected to more misery than their counterparts in western countries.