摘要
17时期英国玄学派代表诗人约翰.多恩的诗歌跳出了彼特拉克诗歌传统,从语言、情感以及音响层面上看,它标新立异,奏出了一组和谐的变奏曲。着重从多恩诗对彼式诗解构的角度来探讨多恩诗歌的主要特色及其艺术表现手段。
The poetry of John Donne who was the most original English metaphysic poets in 17th century is not confined by the tradition of Petrarchan Sonnet, but plays a set of harmonious music with variation in the perspectives of language, emotion and sound. Through the analysis of deconstruction of Petrarchan sonnet by Donne's poetry, the paper goes on the main features and artistic ways of Donne's poetry.
出处
《怀化学院学报》
2006年第4期117-118,共2页
Journal of Huaihua University
基金
湖南省社会科学基金项目资助
项目编号:03YB60。
关键词
彼式诗
变奏
奇喻
Petrarchan sonnet
variation
conceit