从目的论看戏剧翻译的评价标准

Evaluation Criterion for Drama Translation from the Perspective of Skopos Theory

本文首先指出戏剧双重性引发的“二元”对立戏剧翻译评价标准“可表演性”和“可读性”的局限性所在,并将翻译目的论引入戏剧翻译评价,试图建立一个“多元”动态戏剧翻译评价体系。

On the basis of the exploration of the two prevailing dichotomies of theatre translation assessment triggered by its duality, the author in the paper attempts to incorporate the skopos theory into its assessment, hence establishing a dynamic and multi-evaluation system.